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One of Grant Morrison's most controversial and trippiest and abstract comic book titles! Follow the adventures of The Invisibles, a secret organization out to battle against physical and psychic oppression brought upon humanity by the interdemsional alien gods of the Archons of Outer Church!

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Lillian Michaels hasn't been in a serious relationship since her Michigan State days six years ago, and all the meaningless encounters since have only encouraged her to keep her single status as well as a fully-stocked supply of Duracell batteries. But all that changes when she meets Officer Collin Wright. She quickly finds out that he is the only man that can quench her thirst and give her fever like nobody's business. For a while, that's all Lillian cares about until she falls hard for him and finds herself having to choose between her hatred for the badge he wears to protect and serve and true love...

After receiving a Dear John letter from his now ex-wife, Officer Collin Wright doesn't want anything to do with another woman unless it’s to talk about how quickly she can undress, please him, and then disappear. But when he meets Lillian Michaels, he quickly discovers that he could have a million one night stands with Lillian and still never get enough of the woman she is. So he sets out to make sure that after all the cat and mouse is done, Lillian not only ends up naked in his bed, but also fully clothed in his heart...

A Superficial Glance: An appeal for deeper insight into paintings

It is fair to assume that no art historian wants to be superficial in his or her approach to visual analysis and that we encourage our students to look closely and carefully, too. We take our time in contemplating a painting and inspect it in detail, and model this in our classes. Nevertheless, our eyes cannot penetrate the topmost paint layers and our glance cannot but skim the surface. Contemporary scientific methods allow us to peek beneath the surface of the painting. I would like to argue that a look beneath the surface of a painting offers a deeper insight into its materiality, and the specific technical and cultural context of its maker(s). This, in turn, lets us as historians, and our students as budding historians, experience art in a new and more profound and enjoyable ways. In this short post, I investigate the painted materiality of several works, focusing on the example of depiction of textile materials in some well-known renaissance and baroque paintings. Doing so allows our students to understand ideas like craft, skill, technology, and the process of in-depth visual analysis. Showing our students how Science and Art overlap and benefit from each other is an additional advantage of this approach. Titian, ‘ The Man with a Quilted Sleeve’ , ca 1510. The portrait of a member of the Venetian Barbarigo family is one of Titian’s early works. Conservators at the National Gallery London [1] describe the painting technique as follows. Ask your students what they notice about this work and the red robe is often an early response. It is obvious that Magdalen’s red robe executed in several layers of carmine and madder lakes is the dominant element of the painting. The depiction of the four white fabrics is the true sign of Titian’s mastery in handling color. Christ’s loincloth, his white cloak, Magdalen’s white sleeve, and her veil, are all painted in pure lead white. But every one of these textiles shows a distinctly different appearance [2]. We can again try to analyze Titian’s technique to gain a deeper understanding of this painting. Christ’s loincloth is painted with a more fluid paint. Source: Art History Teaching Resources

Latest News

  • Ginsburg Sports Rainbow Neckwear at Supreme Court

    10/05/16 ,via Roll Call

    The rainbow collar was a gift from Jill Morrison, the executive director of Women's Law and Public Policy Fellowship Program at Georgetown Law School. Ginsburg is a longtime supporter of the program, as was her late husband, Martin, Morrison said.

  • Inspirational stories: Good Samaritans honored as Las Vegas heroes

    10/06/16 ,via Las Vegas Sun

    Law Enforcement — North Las Vegas Police Lt. Jill Morrison and Sgt. Travis Snyder. At the scene of a traffic accident, Morrison climbed into a burning vehicle to free the driver, who had become trapped. She and Snyder then pulled the driver to safety.


@PaddyAnderson98 @HughesCaithilin wish u were here 10/08/16, @Jill_Morrison_x
@Jill_Morrison_x @HughesCaithilin I wouldn't of done any of the above 10/08/16, @PaddyAnderson98
@HughesCaithilin and much much more 10/08/16, @Jill_Morrison_x


  • Conversations with Caryl Phillips

    Univ. Press of Mississippi. 2016. ISBN: 1604732105,9781604732108. 195 pages.

    Conversations with Caryl Phillips collects nineteen interviews conducted over more than two decades on both sides of the Atlantic and in the Caribbean. While Phillips (b. 1958) admittedly tends to hide behind his characters in his fiction, he is completely forthcoming in his interviews, where he describes in detail the personal experiences of migration and dislocation that inspired his writing. He shares ideas about his aesthetics, in particular his noted use of a fractured, polyphonic form. These exchanges demonstrate Phillips's knowledge about the contemporary world of politics and of writing while revealing his engaging humor, his sharp intelligence, and his deep commitment to the overarching aims of his work.


Jill Morrison - IMDb

Jill Morrison, Actress: Mean Girls. Jill Morrison is an actress, known for Mean Girls (2004), 2012 (2009) and Big Eyes (2014).

Jill Ireland - Wikipedia

Jill Ireland: Jill Ireland en Christopher Shea in 1966: Algemene informatie: Volledige naam: Jill Dorothy Ireland: Geboren: 24 april 1936: Overleden: 18 mei 1990

Jill Officer - Wikipedia, the free encyclopedia

Jill Officer (born June 2, 1975) is a Canadian curler from Winnipeg, Manitoba. Officer plays second for the 2005, 2008, 2009, 2010 and 2015 Scotties Tournament of ...

Jill Ireland - Wikipedia, the free encyclopedia

Jill Ireland as Marion Starett and Christopher Shea as her son, Joey in Shane