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Graciliano Ramos (Far-out Authors)
Graciliano Ramos (Far-out Authors) by Brand: Twayne Publishers Inc.,U.S.
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Book by Mazzara, Richard A.
Do You Like Hitchcock?

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Do You Like Hitchcock? by GERMANO,ELIO
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Italian Master Of Horror Dario Argento the director of SUSPIRIA, DEEP RED, TENEBRE and OPERA returns to the thriller genre with this sly and sexy tribute to The Master Of Suspense. Elio Germano stars as Giulio, a nerdy film student and lifelong voyeur who begins to believe that two lovely young strangers may have conspired to commit a brutal murder. But when reel obsession leads to real danger, one question alone holds the key to terror: DO YOU LIKE HITCHCOCK? Elisabetta Rocchetti, Chiara Conti and Cristina Brondo co-star in this bold giallo co-written by Argento and Franco Ferrini (PHENOMENA, THE CARD PLAYER), featuring a masterful score by Pino Donaggio (DRESSED TO KILL, CARRIE, TRAUMA), gore effects by Sergio Stivaletti (CEMETERY MAN, DEMONS), and filled with the classic touches of two true masters!
Shot in Turin, the center of silent-era Italian cinema, Dario Argento's Do You Like Hitchcock? is half a tribute to German Expressionist horror, namely The Cabinet of Dr. Caligari, Nosferatu, and The Golem, and half an homage to Argento's hero, Alfred Hitchcock. As the first feature in the Masters of Horror series made for Italian channel RAI, however, the film suffers from a made-for-TV stiffness, despite DP Federico Fasano's (Scarlet Diva) Hitchcock-ian shots, beautiful use of red and blue lighting, and Pino Donaggio's suspenseful score. Do You Like Hitchcock's? plot references several Hitchcock films, most directly Rear Window. Film student Giulio (Elio Germano) notices two girls, Federica (Chiara Conti) and Sasha (Elisabetha Rocchetti), haggling over a Hitchcock video in his local video store, then spies on them after learning that Sasha lives in the apartment across from his. Upon witnessing, through binoculars, the murder of Sasha's mother and dedicating himself to the case, Giulios snooping endangers his life, much to the chagrin of his girlfriend Arianna (Cristina Brondo). Giallo often lacks original story, but Dario Argento has famously elevated his films' erotica and stylized violence by creating characters crippled by Freudian neuroses. Relatively speaking, Giulio, the film student with a runaway imagination, isn't as compelling as Argentos typically complex femme fatales. Do You Like Hitchcock? includes a female criminal, to make it more classically Argento-esque. But if anything, the film begs an interesting question: mustn't the victim's sex appeal in good Giallo also be fetishized? --Trinie Dalton

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  • Raise Cain Rising

    Minotaur Books. 2016. ISBN: 9781466884625,1466884622. 336 pages.

    It’s been a quick five years for Lucy Hendricks. She hasn’t had an easy time of it since her husband, Jack—a devoted and upstanding Bayonne, New Jersey, cop—was murdered while on an questioning. There were suspicions that he’d been involved with the local Mafia, and the media wouldn’t let it go, making life unbearable, so Lucy moved to Florida to raise her son, Kevin, who was born without even knowing his father. The distance was healing, but now Lucy is back in New Jersey to pick up the pieces in the same house she and Jack once shared, trying to commence on. But the past won’t loosen its grip on the young widow, and it seems to have taken hold of Kevin as well. At first his behavior becomes increasingly unorthodox; then he begins making statements wise beyond his years, offering specific details about Jack’s murder he couldn’t possibly know. Lucy decides to delve into the enigma surrounding her husband’s death, for her own sanity and for Kevin’s. She can’t trust the cops, it seems, and now the local Don has reached out to her, offering help in clearing Jack’s personage. As Hurricane Sandy bears down on Bayonne, Lucy must trust her instincts to save herself and her son from much more than a deadly storm. Douglas Schofield's Williwaw Rising is not to be missed.


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