For a year or so around the dawn of the 1970s, Sly Stone was on top of the world. “Hot Fun in the Summertime” and “Thank You (Falettinme Be Mice Elf Agin)” and Sly & the Family Stone’s Greatest Hits were massive hits. He launched a production company, Stone Flower, and a record label by the same name, that were outlets for him to write and produce music for other artists. his sister Vet Stewart’s group Little Sister immediately scored a pair of Top 10 R&B hits with “You’re the One” and “Somebody’s Watching You. by the end of 1971, Stone Flower had shut down, and he’d released his dark masterpiece, There’s a Riot Goin’ On. The label only ever released four singles, and the production company had only one additional credit, Joe Hicks’s 1969 single “I’m... Now, though, historian/musician Alec Palao has assembled I’m Just Like You: Sly’s Stone Flower 1969-1970 (Light in the Attic), which documents Sly’s work in that chaotic period, including the entire Stone Flower discography and the experiments... A few years ago, I put together two volumes of Sly Stone’s productions, from the early days up to the end of the ’60s [ Precious Stone and Listen to the Voices ]. And in the process of putting that together, in 2009 or 2010, I got to know Sly,... Originally, the Stone Flower set was going to be put out by Rhino Handmade, and then it got passed over to Light in the Attic. I’m a huge, huge Sly & the Family Stone fan, so I know where most of the bodies are buried. Stone Flower was a collaboration between Sly and his manager David Kapralik. Sly and the Family Stone were on Epic Records, but the production company was a different thing. Whatever Sly worked on, tapes would either go to Epic or to Atlantic, who were distributing Stone Flower — it didn’t really matter what it was going to end up being. So some of the precursors to what was going to be on There’s a Riot Goin’ On somehow ended up in the Atlantic vault. Stone Flower was successful right away. why did it only last for a year or so. I think Sly realized he didn’t want to play the difficult game of being a rock star or whatever. Source: www.wonderingsound.com
Stone Flower was a collaboration between Sly and his manager David Kapralik. Sly and the Family Stone were on Epic Records, but the production company was a different thing. Whatever Sly worked on, tapes would either go to Epic or to Atlantic, who were
In 1969, Sly Stone and his manager David Kapralik set up a label called Stone Flower. The records were distributed by Atlantic, and it didn't last long—the imprint folded in 1971. But now, the full story is being told by Light in the Attic in a
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