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Audible presents a special edition of three Gothic tales for the price of one: a brand-new Audible Exclusive recording of Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde (ch2), Mary Shelley's Frankenstein (ch12) and Bram Stoker's Dracula (ch39).
Bursting with intrigue and suspense, they resurrect the deepest and darkest of all our fears: that a monster lurks, and it lurks within us.
Introductions by Dr Maria Mellins and Dr Peter Howell, Senior Lecturers in Gothic literature at St Mary's University, London, this collection offers additional insight into these audiobooks, their authors and their legacies.
Starting with Robert Louis Stevenson's Dr Jekyll and Mr Hyde, Richard Armitage tells the story of a conflicted man who seeks to free the monster inside him from the clutches of his conscience.
Following his celebrated performances of David Copperfield and David Hewson's Romeo and Juliet for Audible, Armitage delivers another powerhouse performance as the narrator of this Gothic tale.
Shilling shocker enthusiast Stevenson was celebrated throughout his life. In contrast to Mary Shelley, who was often overshadowed by her husband's work, Stevenson lived comfortably by his pen.
It was only with the release of Frankenstein that Shelley finally distinguished herself. Frankenstein was groundbreaking in its ability to fuse passion and romance with gore and horror.
Narrated by Dan Stevens, who rose to fame through Downton Abbey, and Beauty and the Beast, the story of science student Victor Frankenstein has been artfully retold.
Testing the limits of science, Frankenstein fashions a living being from the conjoined body parts of rotting cadavers. Horrified at the end result, he abandons his monster, leaving him to endure a life of isolation and loneliness.
A poignant example of human weakness and our inability to take responsibility for our actions, Frankenstein is both moving and terrifying.
That leads us to the gruesome tale of Count Dracula, the bloodthirsty father of the undead.
Narrated by Greg Wise, star of The Crown and Sense and Sensibility; Greg depicts a young lawyer whose services are hired by a sinister Transylvanian count.
Releasing Dracula 80 years after Frankenstein, Bram Stoker was greatly influenced by Shelley's writing style and similarly propels the story along through diary entries, letters and newspaper cuttings. Possessed of grisly imagery and unexpected twists, it's no wonder that Dracula still manages to shake us to our very core.
All that remains is to offer a note of caution: this collection is not for the fainthearted. Old as these tales may be, do not mistake the unsettling nature of their content.
Grab some popcorn, turn the speakers up and enjoy. Just don't say we didn't warn you.
Amanda L. Goscicki, Alexandra Leigh Gullo, Dhiraj Gupta, Alexandra Curran Kelley Gusmano, Sarah N. Hartnett, Molly Marie Hatch, Robert Marshall Haven, Nicholas J. Hertel, Mark W. Howell, Katrina M. Hughes, John Donald Incledon III, Emily Ann Jarvis
Tiffany Howell, 27, of Harold, first-degree possession of controlled substance, third-degree possession of controlled substance, prescription controlled substance not in proper container, third-degree criminal mischief, second-degree criminal
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Maria Howell's, Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth, is an important and compelling scholarly work which seeks to examine the sixteenth century's greatest concern, echoed by Hamlet himself, "What is a man?" In an attempt to analyze the concept of manhood in Macbeth, Howell explores the contradictions and ambiguities that underlie heroic notions of masculinity dramatized throughout the play. From Lady Macbeth's capacity to control and destroy Macbeth's masculine identity, to Macbeth himself, who corrupts his military prowess to become a ruthless and murderous tyrant, Howell demonstrates that heroic notions of masculinity not only reinforce masculine power and authority, paradoxically, these ideals are also the source of man's disempowerment and destruction. Howell argues that in an attempt to attain a higher principle, the means (violence and destruction) and the ends (justice and peace) become fused and indistinguishable, so that those values that inform man's actions for good no longer provide moral clarity. Howell's poignant and timely analysis of manhood and masculine identity in Shakespeare's Macbeth will no doubt resonate with readers today.
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