It’s a contraption that makes the lists of “Greatest Inventions Ever”; at the same time, it’s accused of causing global disaster. It has changed everything from architecture to people’s food habits to their voting patterns, to even the way big business washes its windows. It has saved countless lives . . . while causing countless deaths. Most of us are glad it’s there. But we don’t know how, or when, it got there.
It’s air conditioning.
For thousands of years, humankind attempted to do something about the slow torture of hot weather. Everything was tried: water power, slave power, electric power, ice made from steam engines and cold air made from deadly chemicals, “zephyrifers,” refrigerated beds, ventilation amateurs and professional air-sniffers. It wasn’t until 1902 when an engineer barely out of college developed the “Apparatus for Treating Air”―a machine that could actually cool the indoors―and everyone assumed it would instantly change the world.
That wasn’t the case. There was a time when people “ignored” hot weather while reading each day’s list of heat-related deaths, women wore furs in the summertime, heatstroke victims were treated with bloodletting . . . and the notion of a machine to cool the air was considered preposterous, even sinful.
The story of air conditioning is actually two stories: the struggle to perfect a cooling device, and the effort to convince people that they actually needed such a thing. With a cast of characters ranging from Leonardo da Vinci and Richard Nixon to Felix the Cat, Cool showcases the myriad reactions to air conditioning― some of them dramatic, many others comical and wonderfully inconsistent―as it was developed and presented to the world. Here is a unique perspective on air conditioning’s fascinating history: how we rely so completely on it today, and how it might change radically tomorrow.
Victorian-era divas who were better paid than some corporate chairmen, the boy soprano who grew up to give Bing Crosby a run for his money, music directors who were literally killed by the job―the plot of a Broadway show or a dime-store novel? No, the unique and colorful history of St. Patrick’s Cathedral.
Since its inception more than 125 years ago, the Cathedral Choir has been considered the gold standard of liturgical music―an example of artistic excellence that has garnered worldwide renown. Yet behind this stately facade lies an intriguing mix of New York history, star secrets, and high-level office politics that has made the choir not only a source of prime musical entertainment but also fodder for tabloids and periodicals across the nation. In this unique and engaging book, readers are treated to a treasure trove of vibrant characters, from opera stars from around the world to the thousands of volunteer singers who brought their own hopes and dreams―and widely varying musical abilities―to the fabled choir.
As the city’s preeminent Catholic institution, St. Patrick’s Cathedral has served one of the most dynamic and diverse communities in the world for well over a century. It has been intimately entwined with the history of New York: a major center of culture in the nation’s cultural capital. The Cathedral Choir provides an extraordinary and largely overlooked insight into this history, and in Salvatore Basile’s pitch-perfect
exploration it becomes a microcosm for the larger trends, upheavals, and events that have made up the history of the city, the nation, and even the world.
Basile also illuminates the choir’s important role in New Yorkers’ responses to some of the most momentous events of the past one hundred years, from world wars to world’s fairs, from the sinking of the Titanic to 9/11, as well as its central role in the rituals and celebrations that have made life in the city more joyful―and bearable―for millions of people over the decades.
While the phrase “church choir” usually evokes the image of a dowdy group of amateurs, the phrase “Choir of St. Patrick’s Cathedral” has always meant something quite different. Salvatore Basile’s splendid history shows just how different, and just how spectacular, the music of St. Patrick’s is.
Mahnoor Ahmed, Sophia Altman, Dylan Ameis, Gary Anastasi, Lydia Andrews, Sean Andrews, Samuel Antonio, Jenna Arent, Thomas Audet, Kelly Baker, Alyssa Ballaro, Justin Barnes, Morgan Bartels, Isabella Batcho, Elise Bearance, Sarah Beckage, Megan... Source: www.clarencebee.com
Muhammad Ahmed, Sama Albayed, Arianna Alberti, Grace Ameis, Alexis Amodio, Olivia Argentieri, Salvatore Argento, Paige Arndt, Jane Attea, Michael Baehre, Miranda Bagar, Benjamin Baia, Alexa Ballard, Max Bartel, Dominic Basile, Shirley Bassarath,
Christopher Patten, Emma Peterson, Anthony Pipitone, Nikallo Pratts, Salvatore Pustizzi, Jasmine Ramos, Kassandra Ramos, Sydnee Reyes, Deanna Richey, Emma Rieco, Kiara Rodgers, JaBria Rozier, Adrianna Russo, Julie Sanders, Gabrielle Seitzinger
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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Salvatore Basile has worn many hats—as an actor, dog walker, furniture refinisher, opera singer, produce trimmer, magazine columnist, decorative painter, and (for ...
Salvatore Basile, Actor: Cannibal Holocaust. Salvatore Basile is an actor and assistant director, known for Cannibal Holocaust (1980), Cobra Verde (1987) and Turn the ...
salvatore basile profiles Name Search. First name; Last name; Cancel. 25 of 71 profiles See all profiles on LinkedIn » View Full Profile
Salvatore Basile in Italia. 25 di 71 profili Vedi tutti i profili su LinkedIn » Visualizza il profilo completo; Salvatore Basile Qualifica ADMINISTRATION MANAGER ...